You see them everywhere-chase ambulances to take in the taped-off crime scenes, following the fire service through traffic for about a terrible goal. They are dim at night as a freelance news filmmakers called "Night" -The first is on film still newsworthy disasters characterize the lives of most repellent and sell exclusive shows in time for the evening news 6 and 11. America, the misery and terror to get the best reviews, when at dinner and at bedtime. Shocked by anything, licks his chops over the darkest examples of violence and death, Jake Gyllenhaal delivers one of its internal visceral performances Lou Bloom, boring, anti-social, mentally retarded loner who focus on the dirty intestine of Los Angeles, where every afraid to place to contact, except police officers, journalists and photojournalists. Lou's life is empty and without specifying the motivation, but he will get what he needs. By selling stolen credit He also got a video camera and a police radio, and he is ready to move on directional microphones when she gets her first lessons is from the misfortunes of others veteran videographers (Bill Paxton super, as always, in a small role) benefit. The first piece of advice ("Keep running to the coverage of the screaming woman on the street in his throat cut!") Is Lou adrenaline, the murders, carjacking and other graphic abominations which he sold airy Rene Russo as a ruthless news editor named Nina leading works in LA's lowest rated station that the story is not too scary. Lou gives him so much mucus, which increase its overnight stays. Lou is a fast-learning, motor mouth who can talk his way somehow gone cordoned off the crime scene, and before you can blink, he will record every sensation, stabbed babies, DWI crashes, fiery highway carnage, Savage dog attacks, and sell them for Fun and Profit Nina. When he did the news in a prime-time photo gallery and a roadmap for LA neon as plastic underworld of fast cars, a Mexican restaurant, shopping centers and car repair shops, Lou salary naive young assistant (Riz Ahmed) do the dirty work-a work in which He eventually paid the ultimate price. Less than for the first time in the direction of Dan Gilroy, who also wrote a tight, painful screenplay, this is a film that only in hell gallop. Up to a certain point. Among the problems: Each film is so sneaky and corrupt that no one rooting for. Mr. Gyllenhaal's exciting to watch as he dominates the empty, thick brows look of thin, fragile geek who live drugs in a pharmacy, bind their long greasy hair knot seems to equate to his next step if it also means a violation of law, to find not offer the evidence of the police. And Ms. Russo is a large ruthless, ambitious and cold-blooded red-backed shrike. You get the whole mess. The film does a masterful job of showing the two unfair Chronicle LA so ugly tangle of cities where no sane person would want to go out after midnight. The film paints a grim picture of how a little time in the noble profession of the television coverage has collapsed. But if it loses the grip is their failure to find a sort of balance, so a lot of black, dark immorality. Perhaps sociopaths to risk everything to get the story, regardless of who is hurt, but if it violates the houses to do it, and perhaps even the guards, they do not have the above arrest. And News Directors not L.A.P.D. remove their control rooms, without in custody, no matter how powerful and attractive they are. In particular, the local station not even be an online affiliate. When the police to the TV station staff is confronted illegally obtained footage Mrs. Russo to send home, and they fade willingly without protest. The concept is ridiculous. The real L.A.P.D. would be the leading full-station in handcuffs. Is anyone working in television in Los Angeles, which is corruptly not? Despite the worthy starting point and much solid work of a memorable cast nightmare will not last a convincing precision. Share this: Facebook1 Twitter2
